Psalm 107:28-29 · Devotion beside a crucifix in Étaples

Fisherman’s Devotions, Étaples

A tall crucifix rises above small figures beside houses in Étaples; a dark boat hull fills the lower right of Tanner’s blue-green painting.
Henry Ossawa Tanner, Fisherman’s Devotions, Étaples, c. 1916. Oil on panel, 33 × 22.9 cm.
Then they cried out to the LORD in their trouble, and He brought them out of their distress. He calmed the storm to a whisper, and the waves of the sea were hushed.
Psalm 107:28-29 · Berean Standard Bible
About the painting

A pale figure on a tall wooden cross rises into a blue-green sky. Far below, people gather around its stepped base, with the dark curve of a boat close beside them.

About the artwork

Tanner lets the crucifix occupy much of this small panel’s height. Its reddish wood and pale sculpted body stand against broad strokes of turquoise and green. Below it, light catches the steps and the statues around the base, while the people are suggested with much darker, smaller strokes. The difference in scale makes the gathering feel intimate even as the cross towers over it.

The houses and boat place this devotional scene within the fishing town of Étaples. Tanner brings a Christian image into the same space as the community’s ordinary surroundings. The figures’ individual gestures are loosely painted; the title identifies the subject as devotion, without telling us the particular occasion or the words of anyone’s prayer.

At only 33 × 22.9 cm, this oil on panel asks for a close view. Its loose marks suggest a community without turning each worshipper into a portrait. The small scale brings us near to an act of public devotion while preserving the distance between seeing people pray and knowing their private needs. Christie’s dates the work to about 1916.

What does Psalm 107:28-29 mean?

Psalm 107 gives a series of accounts of people brought out of danger, each followed by a call to gratitude. In verses 23–32, the people are seafarers. A storm overwhelms their courage and skill; they cry to the LORD, the waters grow quiet, and they reach the harbor they had hoped for. Verses 28–29 sit at the turning point between helplessness and deliverance.

The stanza ends by asking the rescued sailors to give thanks among their community. That movement from danger at sea to public thanksgiving offers a way to approach Tanner’s gathering on shore. His painting does not establish that these people have just survived a storm. The connection is thematic: the boat, the gathered community, and the crucifix bring work, vulnerability, and devotion into one place.

Read Psalm 107:23–32 alongside the painting: the seafarers’ cry and thanksgiving give context to a coastal community gathered around an image of Christ.

Sources

Christie’s — Fisherman’s Devotions, Étaples. Date, materials, dimensions, provenance, and the 2012 exhibition. The sale record does not establish the present owner.

Psalm 107 — Berean Standard Bible. Verses 23–32 place the paired quotation within the seafarers’ danger, deliverance, and thanksgiving.

Henry Ossawa Tanner’s Bible Paintings. The wider guide to Tanner’s religious paintings and devotional subjects.

Search Visio Divina